| |

Critical Acclaim
“On this showing, Sejong is, simply, a chamber orchestra of world
class.”
-Robert Matthew-Walker, Musical Opinion (London), July-August 2007 Executive
Director “The first movement [of Tchaikovsky] reminded
all of us of the taste of rich pate while the end of the Waltz in second
movement was done most elegantly. The Elegy gave off beautiful balance,
maintaining the delicacy of overall nuance in a fluid articulation, which
later made the profound half-tone opening in Finale all the more magnificent.”
-Anaclase (Paris), June 2007
“The New York-based chamber
ensemble, filled with top-notch young performers… played the 1996
piece (Golijov) with a bravado and technique that it made it more entrée
than appetizer.”
-Daniel Ginsberg, The Washington Post, May 2007
“New
York based Sejong… produce a sound which combines rich vibrancy
with a clean-edged brightness and coursing freshness which recreates something
of the inspiring effect of a dose of mountain air.”
-Lindsay Kemp, Gramophone, March 2007
“…prodigiously
accomplished ensemble… Sejong’s virtuoso soloists shone.”
-Hilary Finch, The Times (London), November 8, 2005
“…taking
the world by storm with their expert playing, upbeat image and egalitarian
approach to performance.”
-Femke Colborne, Muso (UK), March 2005
“I love the variety
of sounds you get. I mean, on the one hand, you get this wonderful, big
string sound. There are moments when I'd swear there are 60 players here.
And then there are other times when it has the tightness and the concision
of a string quartet.”
- Fred Childs, host, National Public Radio's Performance Today, November
2003
“All of the musicians are renowned soloists and
they come together tonight as one of the top chamber music groups in the
world.”
- Paula Zahn, CNN's Paula Zahn Now, November 27, 2003
“…polished
ensemble that produces beautiful sounds and projects high spirits.”
Daniel Cariaga, Los Angeles Times, March 22, 2001
“They
are indeed, as one critic so aptly put it, 'a dream ensemble.' Their work
is miraculous....Have you ever been aware of 11 people breathing together,
in unison, so to speak? That's exactly what this sounded like....Here
were perfect beginnings and endings for every movement. Their three standing
ovations were well deserved.”
- Marsha Wagner, The Islander (Sanibel, FL), March 9, 2001
“With
the delicacy and grace of a string quartet, and the power and sonority
of a large orchestra, the International Sejong Soloists began an evening
of quality and virtuosity... the soloists performed as if the composer
was on the empty podium that lay before them...good balance was evident
throughout, and their treatment of a wide range of dynamics left one breathless.”
- Thomas Boyd, The Montgomery (AL) Advisor, March 3, 2001
“The
International Sejong Soloists provided a definitive example of superb
string playing... Its superb cohesiveness was a direct result of the seamless
match of tone and technique within each instrumental part… The ensemble
made a strong impression, deftly meeting the daunting interpretive challenges
while playing with masterly control.”
- Jennifer Weininger, The Sunday Telegram (Worcester, MA), February 18,
2001
“The 15-member International Sejong Soloists form
a top-notch conductor-less string orchestra. Its concert Sunday at the
Kennedy Center's Terrace Theater was a mix of recent works and the tried-and-true,
all of which displayed the musicians' concentrated energy, glossy timbres
and impeccable synchronization....”
- Cecelia Porter, The Washington Post, October 31, 2000
“These
extremely talented young people would sound wonderful even in the parking
lot next door. It wasn't just the size of the sound, although that was
remarkable in itself. It was also the precision, the ensemble commitment
of the playing. And it wasn't just cold technical proficiency. This was
gorgeous string sound.”
- W.J. Fenza, Morning Call (Allentown, PA), September 20, 2000 |